39 pages • 1 hour read
AeschylusA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Summary
Background
Chapter Summaries & Analyses
Character Analysis
Themes
Symbols & Motifs
Important Quotes
Essay Topics
Tools
Eteocles is the son of Oedipus and Jocasta and the brother of Polynices. He is the ruling king of Thebes, having seemingly ousted his older brother (his rival for the throne). Eteocles cuts a brave and heroic figure, leading the Thebans unwaveringly into war against the invaders. He is an effective leader, a quality demonstrated by his composure throughout the “Shield Scene,” in which he carefully pairs the attacker at each of the city’s seven gates with the most suitable Theban champion.
Despite his bravery and effective leadership, however, Eteocles is not without his share of responsibility for the conflict, having apparently dispossessed his brother Polynices unjustly. Eteocles himself shirks responsibility for Polynices’s actions, placing the blame instead on the anger of the gods and on the curse placed upon him and his brother by their father, Oedipus. In the world of the play, this interpretation is at least partially valid, with significant responsibility assigned to the Fury tasked with fulfilling Oedipus’s curse or to the notion that the brothers were both “possessed by evil spirits” (1001).
In contrast to Eteocles’s composure in affairs of war and state, he is very harsh toward the Chorus. He tells them in no uncertain terms to curb their fearful prayers, going so far as to hope that “Neither in evils nor in fair good fortune / may I share a dwelling with the tribe of women!” (187-88). There has been some debate among scholars concerning how Eteocles’s attitude toward the Chorus should be interpreted. For some, his misogyny was not abnormal in the context of ancient Greek views concerning women, and Eteocles’s words, though harsh, simply reflect the wartime need to preserve public morale by preventing the spread of hysteria (e.g., Alan H. Sommerstein, Aeschylean Tragedy, Bari: Levante Editori, 1996, 11-12). For others, however, Eteocles’s misogyny is excessive even by ancient Greek standards and thus becomes an important aspect of his personality (e.g., Isabelle Torrance, Aeschylus: Seven Against Thebes, London: Duckworth, 2007, 94-101).
The Chorus identifies as “a band of virgins” (110; cf. 171), that is, as young unmarried girls of Thebes. Their presence balances the masculine and martial energy of Eteocles and the fearsome heroes threatening the city. The Chorus is terrified of the horrors that war brings to a city, especially a conquered city: In particular, they dread the possibility of slavery and forced concubinage, the fate that awaits them if the seven conquer the city. The Chorus piously prays to the gods to save them and their city from the threats that assail them. In doing so, however, they stir the anger of Eteocles, who rebukes them harshly for hurting morale.
The Messenger was a common character in Greek tragedy. In the play, the Messenger would have been played by the secondary speaking actor, the Deuteragonist, while the principal speaking actor, or Protagonist, would have played Eteocles. The Messenger reports news of the war to Eteocles. His most important role is his description of the seven attackers at each of the seven gates of Thebes. He lavishes special attention on the shield devices of the seven heroes (See: Symbols & Motifs).
Antigone is one of the two daughters of Oedipus and Jocasta, and thus the sister of Eteocles and Polynices. She and her sister, Ismene, appear briefly at the end of the play to mourn for their brothers, in a scene that was probably not part of Aeschylus’s original. Even her brief appearance is enough to illustrate her dutiful, pious, and brave character. As in Sophocles’s later tragedy Antigone, she defies the edict prohibiting the burial of her brother Polynices, declaring that she is ready to “take the danger on [her] head alone” (1028) and saying that she is “not ashamed of this anarchic act / of disobedience to the city” (1030-31). Since she believes that burying her brother is the right thing to do, she is resolved to do so, even if it puts her in danger. Her unwavering devotion to her brother forms a stark contrast to the fatal inter-sibling rivalry engaged in by Polynices and Eteocles.
By Aeschylus