46 pages • 1 hour read
Jasmine WargaA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Cora runs into the woods, where she feels like she can hear Mabel’s voice clearly. Quinn catches up with her. Angrily, Cora tells her that she doesn’t want her to be there, saying, “[Y]our brother KILLED my sister, Quinn. Don’t you get it?” (310). Cora tries to jump across the rushing creek but slips into the water. Quinn screams and Cora pictures Mabel’s face.
Cora hits her head on a rock as she falls, and she is unconscious in the water. Quinn struggles to pull Cora out of the rushing water because Cora is dead weight. With a considerable struggle, Quinn manages to pull her to the shore. She is relieved to find that Cora is breathing.
Cora, disorientated, wakes up in hospital. Her father is there and Cora explains to him what she was trying to do in the woods. She was trying to time travel back to change the events that resulted in Mabel’s death. Cora’s father tells her that Mabel is gone, and Cora registers the finality of this more than she has previously.
Cora’s father makes the analogy that Cora’s grief for her sister will be like an evolving scientific theory, and he says, “[M]aybe you can think about how you’re handling missing Mabel—how you’re coping with your grief—as an imperfect and evolving theory. It’s always something you’re going to have to puzzle over” (322).
Cora suggests that they should try to ensure that what happened to Mabel doesn’t happen to anyone else. Her father agrees but says that it’s complicated—a response that Mabel hates.
In a letter to Parker, Quinn writes, “[Y]ou’re never going to know how much I hate you. You’re never going to know how much I loved you” (327). Quinn’s parents come into her room. She tells them that they never talk about Parker’s actions or death, that she saw him with the guns and feels responsible, and that she wants to speak to a professional. Her father is short with her, but her mother agrees that they will speak to someone.
Mia comes over with Cora’s homework as Cora is recovering at home. Mia admits that she has always been jealous of Cora’s friendship with Quinn. Mia says she wants Cora to know that she can speak to her about anything, including Mabel’s death or Cora’s feelings for Owen. Mia admits that she likes another boy in their class, Peter. They talk about their feelings for Owen and Peter, and Cora explains that she’s okay not knowing what to do about Owen for the time being and to just be his friend.
Mia leaves and Grams comes into Cora’s room. She brings up boxes and tells Cora that it’s time to pack Mabel’s things away. Cora starts packing, puts on some of Mabel’s lip gloss, and whispers that she misses her so much. She goes to pack away Mabel’s beloved toy penguin but feels overwhelmed and grief-stricken. She calls Quinn and asks her to come over. Quinn assures her that she will be right there.
In a final letter to Parker, Quinn tells him that she will remember both the good and the bad about him: “I think it’s possible for me to love you and never excuse or forgive what you did. I didn’t think that was possible before, but I’m choosing to believe that it is now” (346).
It is November 11, the anniversary of Parker and Mabel’s deaths. Cora and Quinn go to the tree in the woods at Cora’s suggestion. Quinn helps Cora across the creek, even though Cora insists that she’s fine. They reach the tree and Cora digs a hole where she plants violet seeds, because violets were Mabel’s favorite flower. Quinn buries the final letter she wrote to Parker. Cora asks if Quinn will play soccer next year. Quinn says she doesn’t know, but Cora insists that she knows.
Healing Through Human Connection and Hope is presented as the most important and impactful theme in The Shape of Thunder. Quinn’s progress toward healing is evident in her decision to accept the nuanced and confusing reality of Parker’s duality: “I think it’s possible for me to love you and never excuse or forgive what you did. I didn’t think that was possible before, but I’m choosing to believe that it is now” (346). Furthermore, Quinn asks her parents to allow her to speak to a professional. This is not something that Quinn previously felt that she deserved, and her desire to do so symbolizes her beginning to process through her feelings of guilt over Parker’s actions.
Quinn’s healthier processing of her grief, and addressing her misplaced feelings of guilt, is also evident in her decision to admit these feelings to her parents. She tells them “I saw Parker with the guns” and “[I]t’s my fault” (330). Quinn draws on her relationships with her parents, as well as with Cora, to help herself to start to heal. Quinn and Cora’s conversation in Chapter 38 implies that Quinn will begin playing soccer again, which suggests that Quinn is no longer punishing herself for Parker’s actions by denying herself her favorite things.
Cora’s progress in her healing journey is signified in her acceptance of the finality of her sister’s death, as she thinks, “Mabel’s death feels more real to me in this moment than it ever has” (320). Cora’s father does not condemn her for the obsession she had with time travel, but rather sees it as a means that Cora used to comprehend her unendurable grief. Cora’s father explains that these imperfect theories, such as Cora’s hope that she could time travel back to save Mabel, “work, even if they don’t actually, well, you know, work,” because they provide solace through hope (322).
Cora’s next step through the “imperfect and evolving” process of her grief is to find acceptance of the tragic finality of Mabel’s death (322). Her packing up of Mabel’s possessions is symbolic of her acceptance of Mabel’s death. Previously she hated it when Mabel’s things were disturbed in their shared bedroom. The importance of human connection in this process is once again evident in her decision to call Quinn to help her in this difficult task.
At the novel’s conclusion, Quinn concludes that she and Cora did discover a kind of magic, despite the failure of the time travel plan: “not the wormhole, but another kind of magic. Cora and me. Me and Cora. Coraandme” (349). Symbolically, the girls illustrate their commitment to continue to process their grief together by burying the seeds and the letter at the base of the oak tree. Quinn reflects that, “one of us is letting something go; the other is asking something to grow” (348). Cora moves toward accepting the finality of Mabel’s death and celebrating the love they shared, while Quinn moves toward accepting her seemingly contradictory feelings of love and hate toward Parker. Importantly, the novel illustrates that these processes can only be achieved with the love and support of our friends and family.
By Jasmine Warga
Asian American & Pacific Islander...
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Books on Justice & Injustice
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Childhood & Youth
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Christian Literature
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Family
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Fear
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Forgiveness
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Grief
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Guilt
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Hate & Anger
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Juvenile Literature
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Memory
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National Suicide Prevention Month
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Pride & Shame
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Sexual Harassment & Violence
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