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58 pages 1 hour read

Sally Hepworth

The Soulmate: A Novel

Fiction | Novel | Adult | Published in 2022

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Themes

The Foundations of a Marriage

In the Acknowledgements that follow the novel, Hepworth shares that she began The Soulmate during the COVID-19 pandemic, inspired by conversations she had with friends about marriage as the pandemic put relationships under a new kind of strain. They discussed “the bad and good sides of marriage. What we bring to it. What it brings out in us” (325). Hepworth uses Pippa’s and Amanda’s marriages to explore what the different women value and need in their marriages. Their marriages couldn’t be more different on the surface—Amanda’s marriage is what she calls “an arrangement,” while Pippa’s marriage is based on an ideal of romantic love. The novel shows that both women will come to accept that their models of marriage are illusory in different ways. The novel suggests that loyalty is fundamental to a successful marriage: Both women’s marriage stories uphold their belief in the importance of loyalty, showing it to be present in Amanda’s but not in Pippa’s. This irony is key to the parallel created by these two marriages and to the novel’s subversion of expectations around which is the stronger.

The novel creates an unconventional marriage model in Amanda and Max’s relationship. Amanda has specifically designed and lived her marriage to avoid being like her mother. She doesn’t want to have the same type of marriage that her parents had, in which her father’s infidelity was ignored and denied—she doesn’t want to feel the shame she remembers seeing on her mother’s face. Instead, she enters into a relationship with Max for practical reasons. She can see that Max needs someone to provide the functions of a wife who is also “someone he could trust” (87). She decides on an “exchange of loyalty for fidelity” (136) and remains loyal to Max through even illegal activities and danger (136). When she believes that Max had sex with Pippa, she sees it as the destruction of their agreement and thus of their marriage. Infidelity, a lapse in loyalty, is a deal-breaker for Amanda, and drives her to The Drop on the night of her death, looking for answers from Pippa. Max is loyal, however, and the novel suggests that Amanda’s fatal mistake is to wrongly believe that Max has cheated on her and not to seek answers directly from him, a form of emotional disloyalty that indirectly leads to her death.

Pippa also centers loyalty in her marriage explicitly: “Gabe and I have always agreed on our nonnegotiable. Loyalty” (128). Loyalty is Pippa’s touchstone and the reason why she remains with Gabe despite their often-chaotic life and relationship: The novel explores the personal dangers of seeing love as unconditional. It is also the reason that it hurts Pippa so badly when Gabe cheats on her: “Our one nonnegotiable had always been loyalty. And what was infidelity if not a lapse in loyalty” (128). Despite repeated evidence, Pippa doesn’t recognize that the loyalty she prizes in her marriage is one-sided until near the end of the novel. Her character resolution hinges on her realization that Gabe has used her for cover: “He wasn’t protecting me—he was protecting himself!” (306). When Pippa admits to herself that the loyalty in her marriage is not reciprocal and, as such, the marriage is damaging to her, she is free to seek happiness for herself.

The truth of this realization in the novel’s moral structure is demonstrated by Amanda’s rare agreement with Pippa on this point. Her narrative voice, speaking with the authority of the dead, says, “The pair of them pride themselves on loyalty, as if it’s all they could possibly need for a good marriage. They forget the most important thing about loyalty: Sometimes it’s warranted…sometimes it’s not” (86). Amanda’s words show that Pippa has made a poor judgment when investing her loyalty in Gabe. Although there are vast differences between the two women and their marriages, with them, Hepworth highlights the importance of mutual loyalty as a foundation of marriage.

Societal Expectations of Mothers and Fathers

In The Soulmate, Hepworth addresses parenthood and the gendered ways that mothers and fathers are perceived differently by society. In particular, the novel highlights a double standard for men and women in parenting. Throughout the novel, Pippa notes the admiration that Gabe gets for doing the same things that she does every day, highlighting the different expectations that society has for mothers and fathers.

Pippa notes the way that the local community views Gabe’s role as the full-time caregiver for their daughters. Freya and Asha’s teacher, Mrs. Punch, “loves Gabe.” Pippa resents Mrs. Punch’s adoration of Gabe, noting, “Every time I show my face at school, she goes out of her way to tell me how wonderful it is that Gabe is such an involved parent, how he’s the only dad who volunteers, how he remembers every special day and activity” (68). Pippa’s words show the societal judgment that attaches to mothers and her appreciation of Mrs. Punch’s tacit criticism that Pippa is “lucky” that Gabe cares for their children. Although Pippa points out to Mrs. Punch that his behavior is normal for mothers and that, in fact, she still carries much of the parenting mental load, Mrs. Punch’s sexist attitude is ingrained. Through the teacher, Hepworth illustrates that society lauds and rewards fathers for doing the same work that is expected and not necessarily appreciated from mothers. Although Pippa has re-entered the workplace full-time to support her family economically, she still bears social judgment for not meeting maternal expectations.

The novel also explores societal expectations through Pippa’s connection with her children. She feels society’s expectation that she instantly bond with her baby and projects that expectation onto Freya herself when she says, “From day one I felt like she was watching me. Often, I wondered if I was meeting her expectations” (98). The novel shows that this sense of pressure forms a part of Pippa’s postpartum depression. Her misery is also made worse by comparison, as “Gabe’s new zeal for fatherhood only ma[kes] [her] feel worse about [her] lack of attachment” (99). In her depression, Pippa finds motherhood to be a “pointless show [she has] to perform in, over and over, to no audience” (98). Because of societal expectations, Pippa doesn’t seek the help she needs, instead feeling that she is at fault and must “perform.” Throughout the novel, Pippa’s and Gabe’s vastly different experiences as parents emphasize the differing societal expectations for mothers and fathers.

Appearance Versus Reality

In The Soulmate, Hepworth sets up contrasts between appearance and reality in order to explore the ways these contrasts function in life. The novel particularly explores this through the projection of self-identity and the perception of relationships. The characters often reveal a difference between how things are and how things seem to themselves and others.

Pippa and Gabe’s relationship is chaotic, and their family is in danger, but Pippa believes that no one can see it from the outside. She shows her belief through her frequent comments on how other people react, or might be reacting to, her family. However, over the course of the novel, Pippa realizes that they aren’t fooling anyone, a realization that causes her to make some real changes in her life.

Pippa frequently notes other people’s reactions to her family, or to Gabe and her daughters, and reflects on how different the reality of their family is from the appearance that they display. She thinks that they have everyone fooled, believing that people can’t see past the façade. This is especially true of the local community, including their neighbors:

To society, there is nothing purer than a family with small children. […] We trust people based on the strangest, most arbitrary things, none of which have any bearing on whether or not you are inherently good. The Hegartys have no idea what we are capable of (94).

Pippa often notes how she and her family must appear from the outside when they are out in public. Throughout the novel, she notes the way that her family appears to others, whether it be just her or her entire family. When she is watching Gabe with the girls, she remarks, “They look like a scene from a movie—the two giggling girls and their handsome father. Passerby steal looks at them and smile” (218). Even when Gabe is searching the rocks for Amanda’s USB, Amanda notes, “It’s a sweet little beach excursion the Gerard family is on. Such a handsome family, out at the beach with their buckets and spades” (241). Amanda’s comment is sarcastic; the novel creates an ironic subversion of the perfection that Pippa projects onto her own family.

The novel also explores the difference between appearance and reality through the extended network of Pippa’s family, especially her misreading of their feelings about her marriages. Her sister eventually reveals, “We’re all worried sick about you, Pip. […] We’ve been worried for years. Why do you think we all moved up here when you did?” (263). Pippa realizes that the people in her life, and possibly her neighbors as well, see past the illusion she seeks to create better than she thinks. When Pippa refuses to admit that Gabe can be unstable, her mother confronts it directly, and Pippa reflects, “It’s hard to describe the humiliation of realizing that, after pretending harder than you’ve ever pretended, no one believed you” (250). It's not until Pippa realizes that their appearance isn’t fooling anyone that she is able to let go of the idea of appearances and admit to the reality of her marriage. This realization is partly responsible for Pippa’s journey to an independent life without Gabe—she is able to give up what she thinks her family should look like and be happy instead with the reality of a family life that suits her better.

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