50 pages • 1 hour read
Dashiell HammettA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Nick arrives home, and Nora says Gilbert has been by, saying he has something of the utmost importance to tell Nick. She asks if Nick knows who killed Julia, and Nick says yes and lists everyone involved. Mimi calls to apologize about getting angry with Nick and asks him to come by since she needs advice.
Nick arrives at Mimi’s, and she asks what happens when someone conceals evidence. Nick says probably nothing will happen to her if she turns it over and the jury sees her as an ex-wife still concerned for her former husband. She asks if Nick thinks she has a motive for hiding evidence, and he assumes it’s because she wants to blackmail Wynant. She tries to hit him, and he surprises her by saying Chris Jorgensen is Victor Rosewater. She looks truly surprised, which in turn surprises Nick. When Nick asks her what she is concealing, she says it was all a lie. Gilbert walks in and asks to speak with Nick alone after they finish. Mimi asks how he knows her husband is Rosewater, and Nick tells her a woman he was seeing told the police. Mimi wonders if he married her to get back at Wynant and killed Julia because she threatened to expose him. Nick goes to leave, and Gilbert comes in, admitting that he was eavesdropping while waiting for Nick.
Gilbert says a letter came for Chris and he steamed it open. It is from Georgia, Chris’s wife, asking for a meeting; it verifies he is indeed Rosewater and a bigamist. Gilbert agrees to give it to Nick for the police. He tells Nick that Dorothy stole morphine from him that he obtained for an experiment. Nick calls Guild and tells him about the letter. In return, Guild tells him Nunheim has been gunned down.
Nora is doing a puzzle when Nick comes home, and he helps her while he tells her what happened. Nora is astonished by the Wynant/Jorgensen family’s behavior toward each other and the world. Dorothy calls and tells Nick she took the morphine from Gilbert only to keep him from getting addicted. They go to a party at the house of an archeologist, and Dorothy comes with Harrison Quinn. The guests gossip because Dorothy isn’t his wife, whom they all know. Quinn gives Nick drunken stock advice, and he and Dorothy fight in front of everyone. Nick and Nora help them leave. Nick takes an intoxicated Quinn to his apartment, where his depressed and tired wife watches Nick put him to bed.
Nick, Nora, and Dorothy go to a restaurant where Macaulay is eating with a redheaded woman. Nick tells him that Jorgensen was Rosewater. Macaulay says he knew him and can’t see him killing Julia. Nora suggests they go to Studsy’s place since it’s not past midnight.
The speakeasy is full, and Studsy is happy to see them. He tells them that Nunheim’s girlfriend is there saying the police killed him because he knew too much. Morelli shows up and apologizes for shooting Nick. He reveals that he knew Julia well because they grew up together in Cleveland but never dated. Nunheim’s girlfriend, Miriam, confronts the table saying they were the last people with him before he was killed. Morelli tells them that after being released from jail, Julia tried to get work at a place she could steal from but ended up being taken care of by Wynant. She told Morelli to stop coming to see her, as Wynant was paying for everything, and she didn’t want to engender that arrangement. That was in October and about the time Wynant went away. A man comes up to their table and accuses them of killing Nunheim. Before he can get the sentence out, Morelli, Studsy, and two other bartenders drag him out.
They leave around 2 am and drop Dorothy at her home. She asks them up to see Mimi. They find the police and Guild with her. Mimi says she wants to talk to Nick alone and asks in a roundabout way if she can get away with setting up Chris with the evidence she concealed. Nick tells her to come clean. After a lot of lying and trying to manipulate the situation, she says she found a distinctive watch chain in Julia’s hand, one made of the three types of metal produced by Wynant’s workshop and with his initials on it. It’s one of a kind and definitely his. She says she took it out of Julia’s dead hand before the police arrived. Nick convinces her to tell Guild and leaves the room.
Mimi’s actions bring the narrative deeper into the grittiness of the hardboiled genre and underline the lack of Truth and Justice in a Corrupt Society. The section begins and ends with Mimi asking Nick about using evidence she stole from the crime scene, first to blackmail her previous husband and then to frame her current husband for murder. Her idea of using the watch chain to frame Jorgensen is technically plotting his murder by a false conviction. While Mimi fails to be a femme fatale with respect to Nick, as he ignores and mocks her advances, her selfishness and dishonesty endanger the two men she ensnared. Her son, Gilbert, expresses Mimi’s thorough corruption and that of the hardboiled milieu with a quip that is characteristic of Hammett’s tone in the novel: “Most of us have outgrown ethics and morals and so on. Mamma’s just not grown up to them yet” (78). While Gilbert’s description is humorous, her plotting and questions to Nick contain none of the lightness or humor of the other chapters. Corruption pervades not only the public world of speakeasies and gangsters but also the private world of families and individual souls. Another aspect of corruption new to this section involves marriage. Not only does Mimi plot against Wynant and Jorgensen, but Harrison Quinn also crumbles morally in his infatuation with Dorothy. There is no humor in the scene where they fight and none when Nick takes Quinn home to his despairing wife.
Yet Hammett prevents the clouds from becoming too dark even in these bleakest passages of the novel. Despite the abundance of corruption and grit in this section, Humor as an Antidote to Darkness reappears. The failing relationship between Quinn and his wife highlights the Charleses’ happy marriage. The disrespect and infidelity of the former throw into relief the care, trust, and fun of the latter. Once again, Hammett uses the irony and misdirection characteristic of hardboiled dialogue to humorous effect. At Studsy’s speakeasy, when the scene ends in a late-night barroom brawl, Nora gushes, “I love you, Nicky, because you smell nice and know such fascinating people” (129). Unlike Hammett’s other novels, such as The Maltese Falcon, in which the moments of gallows humor only highlight the surrounding futility, The Thin Man puts a joyful and nurturing marriage at the center, and the surrounding gloom only makes it shine more brightly.
By Dashiell Hammett