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Rachel JoyceA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: The source material contains discussion of drug and alcohol abuse and death by suicide.
Harold Fry is the protagonist of the novel. After receiving a letter, he embarks on what begins as a simple journey to visit a dying friend but turns into a search for inner peace and personal redemption. At 65 years of age, Harold is retired from his job at a local brewery and spends most of his days physically immobile. If he travels anywhere, it is by car: “Since his retirement, days went by and nothing changed; only his waist thickened, and he lost more hair. He slept poorly at night, and sometimes he did not sleep at all” (10). Internally, Harold is also stagnant. He buried the tragedies of the past deep in his subconscious, emotionally separating him from the world and from his wife, Maureen. Harold is a simple, ordinary man who begins the novel as a seemingly innocent character. As the story progresses and his secrets are revealed, the character becomes more complicated and morally complex. Plagued by his fear that he failed to meet his own and others’ expectations, Harold suffers a tormenting cycle of self-doubt as his walk becomes less about keeping Queenie alive and more about punishing himself for his failings.
Harold’s journey is at first prompted by guilt and a sense of emotional incompleteness, but it transforms into a search for the meaning that previously alluded him. His walking provokes an existential crisis brought on by years of being psychologically asleep. Through his journey, Harold wakes up to his pain and the collective pain of the world as he encounters people along the way who are also harboring deep secrets, painful trauma, and agonizing regret. The journey takes Harold out of the center of his universe and forces him to recognize he is a part of something bigger: “He hunched his shoulders and drove his feet harder, as if he wasn’t so much walking to Queenie as away from himself” (70). Comforted by the blooming of spring all around him, Harold’s walk is at first invigorating as he reconnects with his physical body and with the world outside his home. However, the longer Harold travels and the more his memory reveals about his tragic past, his body begins to break down from the physical exertion, and his emotional state rapidly deteriorates. With every step he takes, he remembers times in the past when he failed his wife and son, and he fixates on his deficiencies and missteps as a human. Harold repetitively revisits key moments in his life and obsesses over what he could have done differently, and the freedom he felt early in the journey vanishes as he becomes a prisoner of the past. Once Harold learns to release his control over past decisions and realizes that his failures were also the moments he was most human, he begins to accept himself. The journey to self-acceptance and self-love are Harold’s first steps toward learning how to give love to others.
By the close of the novel, Harold is diminished physically and emotionally and stumbles into Berwick raw, fully exposed to the elements and painfully aware of his minuteness in the scope of the universe. He realizes his walk, his gifts, and his friendship were not enough to save Queenie, just as he could not save David; all he has left to give is love. Ultimately, Harold realizes the cruelest tragedy in his life is that he never learned to express love or accept it from others. Once he surrenders to his inadequacy to physically change the world, he understands the pureness and power of showing love to another person. As he says goodbye to Queenie, he leaves her with his love, a feeling she carries into her final breaths. As the novel closes, Harold and Maureen offer each other forgiveness and a chance to go on living life together. Harold demonstrates that it is never too late to make a change and start over again in life if one can let go of the past and embrace the uncertainty of the future.
Maureen Fry is Harold’s wife and, at first, a disagreeable character. While Harold processes the knowledge that his old friend is dying, Maureen continues eating her breakfast, hardly responding to the tragic news. She obsessively cleans the house, speaks to Harold in clipped, spiteful phrases, and appears to care little for her husband’s feelings. The reader is drawn to Harold as a sympathetic character immediately, whereas the acceptance of Maureen comes at a slower pace as the author reveals why she became so hard-hearted and insensitive. Once a lively wife and mother who enjoyed cooking and gardening, Maureen is now a recluse. She lives trapped in her home behind net curtains, taking her anger out on Harold and speaking to the spirit of her dead son as if he were still with her: “She had bleached and annihilated every waking moment of the last twenty years. Anything rather than feel. Anything, rather than meet Harold’s eye and say the unspeakable” (147). When she first learns of Harold’s decision to walk to Berwick, she resents his motivations, finding the notion ridiculous and pointless. Her anger quickly shifts to concern as she convinces herself Harold is mentally ill and needs to see a doctor. It is not until Maureen confesses the situation to her widower neighbor, Rex, that she sees Harold’s journey through a different lens. Once she accepts his need to take the journey, she embarks on her personal exploration of the past, which requires her to confront her misconstrued vision of key events in their life together. While Harold’s memories torture him with feelings of inadequacy and regret, Maureen’s wash over her in waves of shame as she realizes she unfairly punished Harold for 20 years. Maureen comes to understand David’s addiction and illness were the reason for their loss, not Harold’s lack of love or physical affection for his son. She transforms from Harold’s biggest critic to his most ardent cheerleader by physically and emotionally supporting him through the end of his journey.
With the aid of Rex’s friendship and a renewed hope for the future, Maureen guides Harold through the final punishing days of the pilgrimage and the acceptance of Queenie’s death. By the end of the novel, Maureen is transformed. Instead of compulsively cleaning their house, she tenderly washes Harold’s battered body. In place of harsh words, she offers him the gift of silence to process his grief. Though Maureen did not undergo the same drastic physical transformation as Harold, her emotional renovation is at least as dynamic as her husband’s, if not more so. As they stand united in the end, Harold and Maureen learn to choose unity over division and joy over melancholy in seeing what they endured and survived.
Queenie is at first a mysterious character. Her letter provokes a strong emotional response in Harold and one of contempt in Maureen. It is unclear whether Harold and Queenie once had a romantic connection. Her character develops only through Harold’s disjointed memories as he describes how their professional relationship developed into a genuine friendship. Though her name is not at all indicative of her plain appearance, as her character develops, the reader understands her to be a person of high moral character who is confident in herself and has a quirky personality: “[…] she had been an old-fashioned sort of person. Quiet, and always wearing a brown wool suit, even in the summer months” (44). Harold is at first drawn to her out of a sense of decency and pity when he finds her crying in the supply closet. However, as they become work partners, and Harold sees her perform her job confidently despite her coworkers’ bullying, he comes to admire and respect Queenie and enjoys her lively company. Queenie is the impetus for Harold’s pilgrimage, but as he walks the path to her hospice in Berwick, the journey becomes less about keeping his friend alive and more about saving himself.
As the narrative progresses, the reader learns that Maureen resented Harold’s relationship with Queenie because he let his guard down around her and gave her the attention he was not giving to his wife. Once Maureen reveals the secret that she kept hidden for 20 years, the true depth of Queenie’s character is clear. She recognized Harold was deeply depressed, so when Napier discovered his ruined clown collection, Queenie quickly jumped in to take the blame for her friend. She sacrificed the career she loved and worked so hard to attain to save Harold from self-destruction. As Harold walks, he thinks back on his friendship with Queenie, one of the first people in his life to see the good in him. She saw him as a gentleman and a good man, two traits he could never see in himself. Queenie, through simple acts of friendship like bringing him treats and singing songs backward to make him laugh, began to mend Harold’s broken heart long before he knew he needed rescue.
Queenie transforms from a silent tension running through the narrative to a heroic presence in Harold’s life, but the reader finally meets her in her final moments of life, paralyzed and mute in a hospice bed. Instead of Harold’s fantasy of finding Queenie in a chair gazing out at the sunny garden, he sees his once strong, courageous friend reduced to a shell of her former self with the smell of approaching death nearby. Harold makes his peace with his inability to save her and walks away having said little to the woman who gave up so much for him to survive. The novel is narrated in the close third person, focusing mostly on Harold’s and Maureen’s points of view for the duration of the story. In the end, the point of view shifts to Queenie briefly as she enters her final moments of life and reflects on who she was:
Once she had been a woman called Queenie Hennessy. She did sums, and wrote with an impeccable hand. She had loved a few times, and she had lost, and that was all as it should be. She had touched life, played with it a little, but it is a slippery bugger, and finally we must close the door, and leave it behind (313).
With her dying breaths, Queenie comes to terms with her small life, showing that an ordinary person’s self-sacrifice and willingness to open up to others can leave an extraordinary impact on the world.
Rex is Harold and Maureen’s newly widowed neighbor whom Harold first describes as melancholy, anxious, and a bit annoying. It appears Harold and Maureen did little to reach out to the man in the wake of his wife’s death from a brain tumor, further highlighting how withdrawn the couple is: “Rex had been widowed six months ago, at about the time of Harold’s retirement. Since Elizabeth’s death, he liked to talk about how hard life was. He liked to talk about it at great length” (8). Rex and Harold speak of landscaping and little else as Rex witnesses the beginning of Harold’s epic journey when he walks out the door toward the mailbox. Noticing Harold never returned, in the days afterward, he calls Maureen daily to check on him. She finds his calls a nuisance but instantly feels guilty for lying to him. Maureen’s admission to Rex about the trouble in her marriage is the first step in her healing process as she learns to tell the truth to others and herself.
Rex teaches Maureen how to be a human in the world again. He takes her out to dinner and for long walks along the seashore and encourages her to return to her love of gardening. Rex allows Maureen space to be vulnerable and share her deepest fears and regrets. Like Queenie, Rex takes small actions that make a large impact on a person’s life. By simply offering his presence in friendship and a listening ear, he inspires great change in Maureen’s life. Through Rex, the author emphasizes the importance of community. In the wake of David’s death, Harold and Maureen shut out their community, and their isolation led to disastrous consequences for each of them individually and for them jointly as a couple. Platonic relationships between men and women can be rare in fiction. Through the friendships between Harold and Queenie and Maureen and Rex, the author displays the importance of the love and intimacy that can be found in kinship with those just outside the front door.
David Fry is Harold and Maureen’s only child, and his death by suicide 20 years ago is the event that forced the couple into emotional separation. When the narrative begins, the author leads the reader to believe David is estranged from only his father yet maintains a relationship with his mother. Through Harold’s thoughts, he asserts Maureen and David have a special relationship, one that he was never able to cultivate with his son: “Maureen was the opposite. She seemed to know how to love David right from the start” (141). Harold’s inability to connect with his son hangs over the narrative as Harold confronts his failures as a father on his journey to Berwick and blames himself for the tragedy.
As David’s character develops through Harold’s memories, he emerges as a boy who never found his place in the world, saddled with extraordinary intelligence yet having no idea what to do with it. As a teenager, he becomes evasive and sometimes cruel to his parents. Maureen refuses to see his flaws, yet their relationship is toxic; David uses his mother to manipulate and anger his father. David returns home from college struggling with an addiction to pills and alcohol and slides into a deep depression. Despite their immense love for David, Harold and Maureen avoid discussing the problem, both secretly hiding the evidence of David’s dangerous addiction. When David’s life is tragically ended by his illness, both parents feel responsible for the loss, yet Maureen transfers all her guilt and grief onto Harold. For 20 years the couple seethes and slowly drifts apart, unwilling to face the truth of being ultimately powerless to help David: “Though it had cleft them apart and plunged them into separate darknesses, their son had after all done what he wanted” (316). While Harold walks and Maureen processes her grief at home, they each realize that they did all they could and, in the end, could not save their son. David became the victim of addiction, a savage illness that became terminal like Queenie’s cancer.
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