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51 pages 1 hour read

John Grisham

The Whistler

Fiction | Novel | Adult | Published in 2016

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Symbols & Motifs

Intimidation

Supporting the theme of corruption, intimidation is a primary strategy that the antagonists use to bully the protagonists into compliance. Vonn Dubose describes intimidation as his specialty. He makes his greatest error when he says about the BJC that “sometimes these folks understand nothing but intimidation” (361). He doesn’t recognize that the people pursuing him understand intimidation—they just don’t let it deter them. Only Dubose, born and raised in an environment of intimidation, understands nothing else.

Judge McDover, through her lawyer, uses intimidation to try to get the BJC to drop its complaint against her, threatening lawsuits against the complainant and everyone working for the BJC. Lacy acknowledges to herself that the lawyer’s threats are intimidating, but she refuses to back down.

Intimidation can be effective—even against extremely dedicated people like Lyman Gritt—when they have vulnerable family to protect. Showing both discretion and valor, Lyman, whose family has been threatened, continues to investigate under the radar, siphoning information to the BJC, which is less vulnerable than he is alone.

Even the BJC uses intimidation through the legal system to pressure suspects into turning on Dubose. For example, Clyde and Zeke are offered a choice between the death penalty or testifying against their boss.

Faults in the Legal System

The motif of the flawed legal system plays into the theme of corruption. As humans are imperfect, no system they create can be perfect. The author, a lawyer himself, uses the example of Junior Mace to show how a human system is vulnerable to error even without malicious intent. In addition to obvious corruption, like Dubose using paid informants to lie on the stand, are more subtle failures: For example, Judge McDover, having already decided the defendant’s guilt, favors the prosecution in her decisions, thus tilting the trial against Junior. As a result, an innocent man is on death row for 15 years, while the actual killer and the man who hired him are free to kill again.

Some people, like Gunther, avoid dealing with the discomfort of this reality by refusing to believe that false convictions can happen. Many people argue that anyone who is in prison is guilty of something, even if it is not the crime of which they’ve been accused. This is the reason that the author introduces the Innocence Project, which has exposed hundreds of false convictions, demonstrating that the system fails far more often than most people know.

The characters in the story say nothing directly about the morality of the death penalty, but if the system is so flawed that it convicts innocent people, then the death penalty is a significant risk. For the state to kill a single innocent person undermines the foundation of the American justice system.

The Siblings

Gunther and Lacey represent the principle of yin and yang (male and female) or the animus and the anima. The animus (Gunther) symbolizes the masculine side of Lacy’s personality: When triggered, her aggressive and driven side emerges. Conversely, the anima (Lacy) represents the feminine element of Gunther’s personality, as when Lacy catches him crying quietly over her hospital bed. Gunther manifests in the story whenever Lacy needs to call on her considerable force of will, a stereotypically “masculine” quality.

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