63 pages • 2 hours read
Sulari GentillA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This portion of the guide includes descriptions of stalking behavior, sexual assault, gender-based violence, and murder.
Marigold shows up at the apartment. Cain leaves, embarrassed that Marigold may think he and Freddie spent the night together. Marigold tells Freddie she did some research on Isaac Harmon: Authorities found his body in Boston, and Isaac was wanted for murdering someone. Freddie texts Cain to be careful as he meets with Boo. Marigold wants to invite Whit to lunch with them, but she can’t get a call through. Freddie calls him since it appears that Whit‘s mother has blocked Marigold’s number. Whit meets up with them.
Leo A gives more feedback on Hannah’s manuscript. He also includes in this email a map of places in Boston where it would be easy to kill people without being seen.
The next day, Freddie reads a newspaper article that identifies Boo as a man whose body has turned up at the beach. Someone cut his throat. Freddie fears something bad has happened with or to Cain, who may be involved in Boo’s death. Freddie knows she should tell the police about the connection between Cain and Boo, but she is strangely reluctant. Leo B shows up and agrees to take Freddie to the crime scene where the police found Boo’s body. When they arrive, Lauren Penfold, a reporter for The Rag, is there.
Leo A writes that he thinks Marigold is probably in danger from Cain, whom Hannah is doing such a good job of writing as a man restraining his anger. Leo finds the characterization “so exciting!” (125). Hannah should have Cain rape Marigold and kill her brutally as she fights him; the reader didn’t see what he did to Caroline, so a killing like this is an “opportunity to tear the reader apart with the horror of” the killing (125). He tells Hannah that he went down to the beach where Hannah had Boo’s body wash up. Leo A took a picture of a man sleeping on the beach for Hannah. The man might have died later, given the cold.
Freddie, Marigold, and Whit discuss their worry over Cain. Freddie still can’t reach him by phone. Two police detectives come over to question Freddie about Cain, and she confirms what she knows of the encounter between Boo and Cain. They tell her that Cain was sentenced to prison at 16 for killing his stepfather and served seven years before his release, and they seem surprised she did not know. After the interview, she doesn’t say anything about what the police told her. Whit already knows Cain was convicted of murder and changed his name, however.
In his email to Hannah, Leo A says he’s really enjoying the suspense. He also sends Hannah pictures of a crime scene at which the victim has been disemboweled—more research for her book.
In a letter from the FBI to Hannah, Agent Michael Smith thanks Hannah for forwarding the disturbing photos Leo A sent her. They say the people in the photos match the victims in several unsolved murders in Boston. They warn her to end contact with Leo A. An FBI agent will be liaising with their equivalent in Australia.
In a letter from Peter Kent, Hannah’s lawyer, to the FBI, Kent outlines the parameters of Hannah’s cooperation with the FBI, which the FBI negotiated during a face-to-face meeting with Hannah. Hannah will continue her correspondence with Leo A and pass on any crime scene photos or other information. The email ends with standard legal language about holding Hannah harmless for any crimes that may result from Leo A’s interactions with her.
The doorman at Freddie’s apartment delivers a gift of fancy cupcakes from an unnamed benefactor. Freddie finally reconnects with Cain at the Boston Public Library. Over lunch, Cain has a candid conversation with Freddie about how he ended up in prison. The killing happened after his stepfather tried to sexually assault him; the stepfather believed that Cain survived in Boston after he ran away by doing sex work. Cain’s stepfather was a respected law enforcement officer; he thought sex work was shameful and was particularly upset that his co-workers knew Cain might have engaged in sex work.
Leo A writes that he is glad to hear from Hannah; he feared he offended her in some way because of the gap in communication. If it weren’t for travel restrictions, he would have traveled to Sydney to re-connect with her. He is glad to hear she was able to retrieve her manuscript after her computer crashed, and he enjoys working with her because of their “shared vision and craft” (140). He is pleased that Hannah has made Cain a more sympathetic character.
Cain sleeps it off at Freddie's. When he wakes up, the two make love, and Freddie learns more of his story. When he was in prison, another inmate (a former surgeon) stabbed him for getting out of line. The cut was precise, and if it were a millimeter over, and it would have killed him. Freddie is shocked, but Cain tells her the surgeon is dead, killed with a stab in the exact place where Whit was stabbed. Marigold abruptly shows up, claiming she was worried because she had not heard from Freddie. She forces Cain to agree to accept their offer to clean up his apartment, which was wrecked by the police during their search. Marigold’s emotion as she insists strikes Freddie as a sign of emotional fragility.
In his email to Hannah, Leo A says he is heard that there is flooding in Australia, and he wishes Hannah the best as she deals with even more disastrous weather. He gives her some unsolicited advice: She should have made the love scene less happy, either by making Cain frustrated and impotent or by making it be a sex scene in which Cain feels aroused by humiliating Freddie or vice versa. He refuses to give his land address to Hannah so she can send him something special.
Cain’s apartment is uninhabitable because of the damage the police did in their search. Marigold suggests that Cain spend the night at Freddie’s apartment. Cain is hesitant at first, but he eventually agrees with her. Marigold whispers to Freddie that she should be careful and then leaves. Freddie takes her warning to heart. As they drive to her apartment, Cain asks if she feels strange about him or about him spending the night in her apartment. Freddie feels aroused by the possibility of a night with him. She assures him she feels no caution about being with him, so they go back to her apartment. Cain tells her he relied on autobiographical detail to write his first novel, which is about an ex-convict who has a hard time adjusting to life outside of prison. It was a bestseller and a much-praised debut novel. Freddie admits that she hasn’t read it and agrees that she will. Cain warns her that she might not much like it because it includes the bitter anger of a formerly incarcerated person.
Leo A writes to Hannah that he gets writing an autobiographical novel. He believes that an autobiographical first novel is something like a “tantrum” (153) and that it allows the writer to get their demons out so they can do good work in the future. He also tells Hannah that he just happens to have some pictures of a crime scene where a woman was killed brutally by a blow to her head. He encloses the picture in his email and says that he hopes they will be helpful to Hannah as she writes her novel. He says that he wouldn’t be shocked if Cain didn’t kill again. You don’t really know that you will enjoy killing until you experience the “incomparable thrill of holding existence in your hands and snuffing it out” (153). He finds the increasing violence in the novel “exciting” (153).
Hannah is finally forced to confront the ethics of her correspondence with Leo A directly. Doing so changes the shape of the frame narrative. For the first time, the reader encounters other voices aside from Leo A’s in the correspondence between Hannah, her lawyer, and the FBI. Those letters are legal ones in which the authorities talk explicitly about the ethics of writing, and Gentill communicates the power behind the words in these letters by including letterhead that indicates the authority of the writers.
Despite Hannah being a world away in Australia, which is locked down for the COVID pandemic, the FBI initially tells Hannah that interacting with Leo A is too dangerous to continue. They reframe her correspondence with Leo A by giving her real-world information they gleaned from matching up Leo A’s emails with murders occurring in Boston. For the first time, Hannah has confirmation that Leo A isn’t just an unsettling correspondent with a taste for violent photos. He is a killer, and his sense of excitement over Hannah’s manuscript takes on sinister overtones.
The meeting between the FBI and Hannah occurs outside the narrative, but it is presumably one in which she convinces them that her writing is powerful enough to convince Leo A to identify himself, making it easier for the police to apprehend him. Gentill has Leo A mention several times that he is excited by her writing. The hedging language in the letter from Hannah’s lawyer to the FBI shows that she wants to continue to engage with Leo A, but she wants neither the ethical nor the legal responsibility for anything he might do as a result of the violence and mystery in her novel. She wants to disavow the power of her writing and what Leo A makes of it as a reader.
The seriousness of the language in the letters underscores everyone’s sense of The Power of Reading and Writing to spur people to action in the real world. From this point on, Hannah’s purpose in writing her text shifts. It no longer matters how implausible the character motivations are or how outrageous the plot development is. Leo A enjoys sexualized violence and violence against women, identifies with Cain, imagines that any woman would love a man as dangerous as Cain, and likes the idea of Marigold as a stalker; Hannah obliges by writing to Leo A’s preferences.
Hannah’s use of writing as provocation and seduction works, but only up to a point. Leo A escalates in terms of the level of depravity his photos show, and he begins to include explicit instructions to subject Freddie and Marigold to violence. He is more comfortable telling Hannah what to do in her text, as opposed to suggesting. Leo A is also canny, and he values the anonymity of email correspondence with Hannah. For the first time, he is uninterested in using their correspondence to close the distance between him and Hannah. His relationship to reading and writing has changed.