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55 pages 1 hour read

Jonathan Tropper

This Is Where I Leave You

Fiction | Novel | Adult | Published in 2009

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Parts 6-7Chapter Summaries & Analyses

Part 6: “Monday”-Part 7: “Tuesday”

Part 6, Chapter 42 Summary

Judd dreams he is sitting shiva naked and sees his dad across the room. His dad leaves, holding a baby, while Judd tries to chase him on one leg and falls.

Part 6, Chapter 43 Summary

Tracy is on the roof when Judd goes up at sunrise. Tracy guesses that Phillip slept with Chelsea. Tracy plans to leave after shiva but will give Phillip the Porsche. As parting advice, Tracy tells Judd he got married right out of college and is terrified of being alone, and he must stop acting out of that fear. “You have to stop worrying about finding love again,” she says. “It will come when it comes” (293).

Judd sees the girl from the bar leave the Callens’ house. He goes over to find Horry having a seizure and sits with him.

After his shower, Judd finds Alice sitting on the sofa bed in his room. She confesses she is jealous of Wendy and Jen. Judd reminds her that she has a good marriage, which is harder than having a baby, and she shouldn’t risk it.

Part 6, Chapter 44 Summary

Shiva is a silent business. Judd thinks, “We have pretty much had it with each other. We are injured and angry, scared and sad” (298). A group of young mothers comes to get Hillary’s advice. Judd examines their figures. Linda enters, and Hillary embraces and kisses her romantically. Peter Applebaum departs, telling Judd not to get old.

Part 6, Chapter 45 Summary

Judd remembers a time he was six and walked in on his parents having sex. His mother was not embarrassed; she and his father enjoyed an active sex life.

After the shiva callers have been ushered out of the house, the family reacts to Hillary and Linda’s apparent relationship. Paul is shocked that his mother is bisexual. Horry admits he’s known for a while.

Part 6, Chapter 46 Summary

Judd drives to his old house and finds Jen distraught. He runs her a bath, and they talk. Judd reflects that he will always be drawn to women like Jen, and Jen will be drawn to men like Wade, just as Phillip will always be drawn to girls like Chelsea. They lie down in bed. Jen tells Judd the baby is a girl, and he weeps. When Judd wakes, Jen is sleeping. He thinks, “I’ll have to keep forgiving her until it takes” (312). He leaves, running.

Part 6, Chapter 47 Summary

Judd returns to Knob’s End to find Phillip threatening to jump off the roof to keep Tracy from leaving. Hillary hugs Tracy goodbye. Phillip falls off the roof but is not hurt.

Inside, they discuss how Hillary’s relationship with Linda developed while Mort was sick, and with his blessing, as it gave him comfort that Hillary wouldn’t be alone after he was gone. Judd guesses that it was his mother who wanted them to sit shiva, and she admits it.

Part 6, Chapter 48 Summary

Judd speaks with Wendy about her marriage. She says she will stay with Barry as she doesn’t expect to find better. Judd reflects that “it’s heartbreaking to see your siblings as the people they’ve become” (321). Phillip has found Judd’s duffel bag of money and asks to borrow $1,000. He says he’s been sponging off Tracy and needs a fresh start.

Part 6, Chapter 49 Summary

Judd visits Penny to apologize for leaving her at the amusement park when Jen called about the baby. Penny calls him out, saying that he’s actually sorry for not telling her that Jen is pregnant or that he still loves her. He agrees, saying he’s more than sorry, but ashamed. Penny forgives him, and Judd leaves. Moments later she runs outside and jumps into his arms, reminding him of their pact and that they have five years to find a better option. Judd kisses her.

Part 7, Chapter 50 Summary

Boner comes to officially end shiva. He reminds the Foxmans that the hardest part of grieving is going back to their regular lives. Of his family, Judd thinks, “We love each other but can’t handle being around each other for very long” (332). They walk around the block as a family, and Judd asks Paul to consider giving Phillip a job in the store. Paul reminds Judd not to let anger poison him. Wendy leaves. Her hired car pauses for a moment outside Horry’s house, and Horry holds his hand up to the window to say goodbye.

Judd goes through his father’s top drawer of mementos. He finds his father’s Tag Heuer watch, which is broken, but Judd will get it fixed. The back of the watch is engraved with a message from his mother to his father: “You found me” (338). The rest of the family is eating at the table, but Judd chooses only to say goodbye to Linda. He has $14,000—Phillip took $2,000—so he borrows Phillip’s Porsche. He doesn’t know for certain where he’s going—Maine, for the night—but for the moment, Judd thinks, “[I]t feels pretty good to be me” (339).

Parts 6-7 Analysis

In the closing sections of the novel, Tropper resists leading events toward healing, closure, or happy resolution and instead inserts several twists, upsetting the reader’s expectations. After his dream of regaining his leg, Judd has a dream where he is naked, vulnerable, and abandoned by his father, who is represented in a nurturing way by the baby he is holding. Phillip’s attempt to redirect his life is thwarted in part by Tracy’s leaving, though none of the Foxmans held out hope for that relationship. Wendy, too, says goodbye to Horry. Horry is abandoned by the girl he brought home from the bar, suggesting that his loneliness will continue.

Judd continues his attempts at reconciliation and takes several steps toward Healing Betrayal Through Forgiveness in the final chapters, including apologizing to Penny. Penny’s reminder of their pact to marry to prevent them both from being alone (Judd’s fear, as represented by Peter Applebaum) is sentimental in one respect, and in another seems to suggest Penny has not moved on from the patterns of her younger self. These are the patterns Judd—taking Tracy’s counsel to understand himself before he commits again to anyone—seems ready to examine and perhaps change. Borrowing Phillip’s Porsche to explore Maine, where he fantasized about going when he left his house after discovering Jen’s infidelity—shows Judd escaping the basement at last.

His relationships with his family have been reaffirmed, if not repaired. Judd and Paul discuss the store’s future, and Phillip’s, as if they are the stewards and Phillip is still the baby. Wendy is practical about her marriage, settling on a compromise that Judd thinks is distasteful. Judd reaches an insight of his own when he tells Alice not to sacrifice her marriage in her pursuit of a baby. While Judd doesn’t know yet what he wants from Jen, when he revisits his house and they lie in bed, and Judd feels his growing daughter, it suddenly feels possible that he could return to this life, waking from the nightmare of the past several months. In considering how to forgive Jen, Judd shows he has evolved from the bitter, angry person he was at the beginning of the week, who wanted only to inflict hurt. He has moved from wounded pride toward humility, from defensiveness to admitting his vulnerability.

While all the Foxmans are moving on in some fashion, Hillary’s new love affair introduces the most surprise, in part because she has fallen in love with a woman for the first time. For Judd, his mother’s relationship with Linda is affirmation that love can happen again, and without diminishing the love felt the first time around, an idea confirmed by the inscription on his father’s watch. In donning the watch and resolving to repair it, Judd comes to terms with his father’s influence on his life, resolving to accept his father’s love and care and let go of his disappointment in other respects. Judd also accepts his mother’s needs and wants, guessing that she is the one who wanted the siblings to sit shiva. She wanted her children close during this time of bereavement, for her sake as well as for theirs, and in some ways, the week has done what the Jewish ritual is designed to do: return the mourners to living after a suitable seclusion to think about what they have lost. For Judd, this means no longer being trapped in the past or his former choices but taking the opportunity to explore new options for his future.

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