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64 pages 2 hours read

Nikki May

This Motherless Land

Fiction | Novel | Adult | Published in 2024

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Character Analysis

Oluwafunke “Funke” Oyenuga / Kate

Content Warning: This section of the guide discusses racism and substance abuse.



Funke is a primary protagonist from whose perspective most of the novel is told. At the start of the text, she is a nine-year-old living in Nigeria with her mother, father, and brother, Femi. She has a loving and caring family, who—although wealthy—help many local families by employing them and helping to pay for their medical care and education. 

As a child of a Black Nigerian father and a white British mother, Funke does her best to assimilate into life in Lagos. In this way, Funke is characterized as someone who does her best to fit in, learning Yoruba, braiding her hair like the other children, and intentionally doing worse in school than she should so that she is not at the top of her class. Both times Funke is forcibly removed from her home—first to London, then back to Lagos—this trend continues, as she does her best to be as English, then as Nigerian, as she can to fit into her new lives.

Two important elements of Funke’s character that reflect her desire to adapt throughout the text are her name and her hair. After her family in London refuses to call her “Funke,” she adopts the name “Kate,” and her point-of-view chapters are retitled to reflect this change. Additionally, without the ability to go to a Black hairdresser in London, she undoes her braids and wears her hair in a simple ponytail. Then, on her return to Nigeria, she changes her name back to “Funke” and changes her hair twice. First, she returns to Lagos and gets her hair plaited, choosing the braided style that is common in Lagos and that she used as a child. However, she realizes that it does little to change her identity, as she is called “Yellow Funke” (173)—jokingly by her friends—and oyinbo by the locals, meaning Westerner or foreigner. Ultimately, she chooses to embrace this identity as Other, choosing Bantu knots which make her feel “confident in [her] skin, happy to be different […] She couldn’t stop standing out, so she might as well get used to it” (176). Funke’s hair and her name come to represent her identity, conveying the theme of Self-Identity Amid Cultural Dislocation

As a dynamic character, Funke changes throughout the course of the text. First, she does her best to fit in, choosing to make herself entirely Nigerian or entirely British to reflect her physical migration. However, she ultimately realizes that she is a product of both places and embraces the idea that she fully belongs to neither. Instead, much more important than physical place to Funke’s identity are her family, her friends, and the people that she chooses to build her life with.

Olivia “Liv” Stone

Liv is a protagonist in the text and the other point-of-view character along with Funke. She is nine years old at the start of the novel and lives in England at The Ring with her mother, Margot; brother, Dominic; and her grandparents. 

Unlike her family, who refuse to allow Funke into their lives, Liv immediately befriends Funke and the two develop a close relationship throughout Funke’s time in London. Liv is kind and caring toward Funke, speaking for her, defending her to their family, and giving her a sense of belonging after her forced relocation. In this way, Liv is an important element in the theme of The Importance of Support in Surviving Trauma. Through her friendship with Liv, Funke survives the death of her mother and brother and ultimately thrives in her new life in London.

Despite Liv’s kindness toward Funke, she also has moments of jealousy and entitlement which are reflective of who her mother is. After Funke refuses to lend her the money she got for college, Liv starts to treat her poorly, refusing to give Funke her drawing on her birthday, drugging her at the ball, and failing to understand the repercussions of her actions. Although Liv was not directly responsible for Funke’s arrest or her return to Nigeria, Liv is complicit through her lack of understanding of the situation which stems from her entitlement. She refuses to acknowledge what she did was wrong—assuming that Funke lied for her—until it is too late and she believes that Funke is dead.

After Liv believes that Funke is dead, she spirals into drug and alcohol dependency. She fails to find a steady job, has sex with random men, and refuses to return to The Ring or reconnect with her family. However, just as she supported Liv, she learns the importance of support through her family friend, Jojo, and Grandma, as she returns to The Ring, enters rehabilitation, and starts a new life for herself in Funke’s absence.

Throughout the course of the text, Liv grows and matures. Through her relationship with Kunle, she develops empathy for what Funke must have felt upon her arrival in London. She learns about the impact of racism, discovers the manipulative and vindictive nature of her mother, and ultimately learns the effect that her family’s entitlement has on those around them. When she learns that Funke is alive, her willingness to finally stand up to, and confront, her mother reflects this change.

Margot Stone

Margot is Liv’s mother and the primary antagonist in the text. One of the central conflicts of the novel occurs before the text begins between Margot and her sister, Lizzie—Funke’s mother. When they were younger, Lizzie tells Funke, Margot “always resented her” because Lizzie “had been their father’s favorite” (4). Additionally, after Lizzie married a Black man and moved to Nigeria, her family disowned her. Margot blames Lizzie for her own broken engagement and what she perceives as her family becoming social outcasts due to Lizzie’s pregnancy loss. As a result, when Funke first meets Margot, she is already bitter, angry, and resentful toward Funke, treating her poorly and assuming she is uneducated and uncivilized simply because she is from Nigeria.

One central characteristic of Margot is her greed. Her desire to manipulate those around her to get as much money as she can becomes a driving force in most of her actions throughout the novel. She lies about Funke’s inheritance, only sending her a fifth of what it should be; she fakes Funke’s death to get her removed from the will; and she takes advantage of her mother’s failing health, forging her name on a mortgage and attempting to get her declared legally incapable of making her own decisions. 

Margot is a flat character that does not change over the course of the novel. She continues to be greedy and manipulative until the end, when she loses her inheritance and is punished for her treatment of Funke, Liv, and her parents.

Dorothy “Grandma” Stone

Grandma is Margot and Lizzie’s mother and the grandmother of Funke and Liv. Although she is a flat character, with little known about her, she is an important character in the way that she contrasts with Margot. Unlike Margot, who refuses to raise Funke, Grandma treats Funke with kindness and compassion when she comes to The Ring. 

Over the years she is in London, Grandma becomes an important component of the theme of The Importance of Support in Surviving Trauma, as she gives Funke a home and financially supports her. Although Grandma disowned Lizzie in the past for marrying a Black man, she changes in the novel by accepting Liv’s relationship with Kunle and telling her, “times change and I’d like to think I’ve learned from my mistakes” (258). 

Grandma’s kindness, generosity, and acceptance of Liv’s choices stand in stark contrast to Margot, as she is willing to admit her past mistakes, move on, and build a relationship with her family—overcoming her anger and racist behavior in a way that Margot never could.

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