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71 pages 2 hours read

Grace Lin

When the Sea Turned to Silver

Fiction | Novel | Middle Grade | Published in 2016

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Important Quotes

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“When the sea turned to silver and the cold chilled the light of the sun, Pinmei knew the Black Tortoise of Winter had arrived with his usual calmness. But when a shrieking wind pierced the sky, bursting it into darkness, she grew frightened. It was as if the Black Tortoise of Winter were being forced to the earth, screaming and struggling.”


(Chapter 1, Page 4)

The opening of the story foreshadows one of the plot’s main conflicts. Pinmei’s concerns prove valid, and her fear illustrates the motif of disruption, as both mythological and environmental elements are in chaos. The imagery of the Black Tortoise being “forced to the earth” symbolizes the imbalance between natural forces and the external power that seeks to control them, hinting at the broader struggle between harmony and oppression in the narrative.

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“Alone with Amah, her words did not freeze in her throat. She didn’t know why, at the sight of anyone unfamiliar, she felt like a fish trapped in a bowl of ice, unable to even gasp for air.”


(Chapter 2, Page 10)

The quote highlights Pinmei’s initial struggle with self-expression, especially around strangers, symbolized by her feeling “like a fish trapped in a bowl of ice.” The story explores how her transformation into a storyteller empowers her to overcome this silence, as The Power of Stories helps her find her voice as well as create and find her identity. Her journey from a timid girl to a confident storyteller underscores the novel’s theme of the transformative power of art.

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“‘I never wish for you to be anyone except yourself,’ Amah said, looking into Pinmei’s eyes. ‘I know that when it is time for you to do something, you will do it.’”


(Chapter 2, Page 11)

Pinmei wonders if Amah would prefer her to be braver, like Yishan. Amah quickly reassures her, expressing unconditional love for Pinmei as she is. Amah’s words, “I know that when it is time for you to do something, you will do it,” become a refrain throughout the novel, offering Pinmei strength and encouragement even in moments of fear. Before Pinmei fully discovers and creates her own identity, these words form the foundation of her inner strength.

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“‘Amah, these stories aren’t real, are they?’ Pinmei asked […] Amah […] gave Pinmei a smile, her face wrinkling like the pit of a peach. ‘Whether you believe that or any of the things I tell you is up to you.’”


(Chapter 2, Page 14)

When the Sea Turned Silver explores the power of stories and the need for storytelling, echoing the themes found in Haroun and the Sea of Stories. Amah’s response suggests that the truth of a story lies not in its factual accuracy but in its ability to resonate and impart meaning. This moment highlights the novel’s central theme that stories carry their own truths, regardless of whether they are “real.”

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“You are a leader only to those who choose to follow […] The new king realized he could not fight the water. He had to lead the water to where he wished it to go and let the water follow.”


(Chapter 8, Page 33)

The new king’s journey of self-discovery and leadership reinforces the theme of Finding and Creating Identity. It suggests that true leadership is not about control or force but about understanding and guiding others to follow willingly. This lesson also ties into the theme of Perception Shapes Reality, as the king’s shift in perspective allows him to see that leadership is about influence rather than domination. The image of “leading” water reinforces the idea that perception and understanding shape how one interacts with the world, defining personal identity and leadership.

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“‘Ah! I truly am a lucky one after all,’ the stonecutter said. ‘For to be in prison with the Storyteller is to not be in a prison at all.’”


(Chapter 14, Page 71)

Stories possess the power to transcend physical and emotional constraints, turning confinement into a space of imagination and possibility. The stonecutter’s realization highlights how the presence of a storyteller can transform a dire situation into one of enrichment and hope, demonstrating the ability of stories to offer solace and a sense of freedom even in the most restrictive circumstances.

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“‘Pinmei is a storyteller.’ I am? Pinmei thought with surprise. She had thought herself many things before—a scared mouse, a quiet girl, a coward—but never a storyteller.”


(Chapter 16, Page 79)

This quote highlights Pinmei’s journey of self-discovery, marking a pivotal moment in which she reshapes her self-perception. The realization that she is a storyteller reflects how her identity is evolving beyond the timid, fearful girl she once believed herself to be. Embracing this new role transforms Pinmei’s self-perception, showing that perception impacts one’s internal reality as well as the outside world. As she begins to see herself as a storyteller, she takes the first steps in finding and creating her own identity, showing The Power of Stories to influence personal growth.

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“Every time a story is told, it changes.”


(Chapter 19, Page 97)

Stories are dynamic, shifting with each retelling to adapt to the needs and perspectives of their audience. As characters navigate their journey, the stories they encounter and share influence their understanding of their world and themselves, illustrating how storytelling influences identity and perception shapes reality. Part of The Power of Stories is their ability to change to suit the needs of their audience.

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“And there on the mountain whose top seemed to touch the moon, the old woman found peace and contentment. For her grandchild grew up protected and away from danger, and the only wish the old woman had was for that to never change.”


(Chapter 19, Page 102)

Amah tells her story to the stonecutter, illustrating how stories help forge connections between people by revealing deep-seated desires and universal fears. While Amah may hesitate to voice her worries and wishes for Pinmei, she can do so in The Story of the Painted Lion Eyes.

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“Whatever it is, only the king can do it and the emperor needs him. That’s why no one is allowed to harm the king, but the king isn’t allowed to do anything either […] the palace may as well be a prison.”


(Chapter 25, Page 128)

Yanna illustrates how perception shapes reality by revealing the desperate circumstances of the king of the City of Bright Moon. While Pinmei initially assumes the king wields significant power and influence, with walls meant to keep people out, the reality is quite different. The king’s true situation is vulnerable, as he struggles to protect his people from the emperor while finding his own power nonexistent. This contrast between perception and reality underscores how external appearances can mask constraints and limitations.

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“‘Almost all men respect the Storyteller,’ the stonecutter said. ‘You can make time disappear. You can bring us to places we have never dreamed of. You can make us feel sorrow and joy and peace. You have great magic.’”


(Chapter 27, Page 134)

The stonecutter explains the power of stories and why the Storyteller commands great respect. He highlights storytelling as a form of magic that shapes perceptions and transforms reality. The Storyteller’s role is elevated, as their art entertains and wields profound influence over people’s minds and hearts, making storytelling a revered and powerful craft.

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“‘Take care of yourselves out there,’ Yanna said, her crooked smile returning. Her eyes met Pinmei’s, and suddenly, Pinmei found they were friends. ‘Make sure you put me in a story someday.’”


(Chapter 30, Page 146)

Yanna illustrates the power of stories, as Pinmei’s story inspires Yanna to help others. This moment is also a turning point for Pinmei, as she realizes she has made a genuine friend in Yanna, deepening her emotional growth. Yanna’s request to be included in a story symbolizes the way storytelling immortalizes individuals, preserving their memories and actions. Through this exchange, Pinmei begins to understand that stories shape reality and create lasting bonds between people.

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“‘Stories!’ the emperor said, dismissing the king’s words. ‘Only that word, repeated over and over again! How could that be the secret to immortality? I even took the Storyteller too! But for nothing! Just a waste!’”


(Chapter 33, Page 157)

The Tiger Emperor fails to understand the true power of stories, dismissing them as insignificant in his quest for immortality. His frustration reveals his inability to grasp that stories hold the key to immortality not through physical longevity but through the lasting impact they have on others. By capturing and preserving experiences, stories allow people to live on in memory and influence future generations. The emperor’s obsession with control causes him to overlook the deeper wisdom that stories offer, highlighting his narrow perception of immortality.

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“Three things cannot long be hidden: the sun, the moon, […] and the truth.”


(Chapter 36, Page 169)

This quote emphasizes the inevitability of truth, drawing parallels between the natural forces of the sun and moon and the eventual revelation of hidden realities. Just as the sun and moon consistently rise and fall, no matter the circumstances, the truth will always surface, regardless of attempts to conceal it. This idea reflects the characters’ journeys, as hidden truths about their identities and the past gradually come to light. It underscores the novel’s theme that perception may cloud reality, but truth will always prevail.

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“‘Even if the emperor is not the Green Tiger, he is just as bad! He’s using whatever you tell him to gain more power, kill more people, and now live forever! How dare you use the Paper for him?’ ‘What would you have me do?’ the king said. ‘I am a prisoner in my own palace, and spies surround me. How could I do anything else?’”


(Chapter 36, Page 173)

Yishan and KaeJae’s argument highlights how perception shapes reality. Although KaeJae knows his actions are wrong, his perception is clouded, and he cannot see another path due to his fear and feelings of powerlessness. Trapped in his role as a puppet of the emperor, KaeJae’s perception of being imprisoned causes him to overlook the possibility of resistance. This moment emphasizes how external circumstances and fear can distort one’s sense of agency, reinforcing the novel’s theme that perception influences actions and the reality individuals create for themselves.

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“‘I wish I could be as brave as you,’” she said in admiration. ‘It is not bravery, Pinmei,’ Lady Meng said, reaching up to touch her cheek. ‘For I am not afraid. With my husband’s death, I have nothing left to fear. You are the bravest of all of us, truly.’”


(Chapter 47, Page 211)

Pinmei’s conversation with Lady Meng illustrates how perception shapes reality. Lady Meng’s view of bravery contrasts with Pinmei’s, as she reveals that true courage comes from facing fear, not the absence of it. Lady Meng perceives herself as fearless due to her grief, while Pinmei, who feels afraid yet continues to act, embodies real bravery. This exchange shows how individuals’ perceptions of strength can shape their actions and self-identity.

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“‘Ha!’ the stonecutter said with a snort. ‘I suppose an entire wall of great accomplishments would be a fine cage for another poor tortoise!’”


(Chapter 49, Page 221)

The stonecutter demonstrates wisdom and insight throughout the novel, often foreshadowing key events and truths. His observations about the Vast Wall are no exception, as he accurately perceives its true purpose. While the wall is ostensibly built for protection, it ultimately functions as a prison, revealing how perception shapes reality. What is meant to safeguard people instead confines them, illustrating the novel’s recurring theme that what we believe about the world can obscure its true nature.

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“Well, I guess it’s because it’s the mortals who create the memories that last, […] Without those, immortals forget. They can even forget who they are. Right?”


(Chapter 51, Page 230)

Joy to the Heart reflects on the power of stories, emphasizing that memories created by mortals are what genuinely endure. According to Joy to the Heart, immortals can forget even their own identities without these memories, suggesting that it is through the stories and legacies left by mortals that immortality is achieved. This idea subtly critiques Yishan, who, despite his immortality, struggles with his sense of identity and purpose. It underscores the novel’s theme that true immortality comes not from eternal life but from the lasting impact of stories and the memories they create.

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“‘Our worlds connect here, […] The bottom of the Heavenly Lake is your sky’ […] ‘Nuwa’s tear,’ he said with reverence, ‘or a Luminous Stone That Lights the Night.’ Or, Pinmei thought as she stared downward, the moon.”


(Chapter 54, Page 241)

This quote illustrates the theme of perception shaping reality. The same object—the moon—is viewed differently depending on one’s perspective: as Nuwa’s tear, a Luminous Stone, or the moon. This moment illustrates how various worlds and interpretations overlap, showing that reality is multifaceted and depends on one’s viewpoint. The connection between the sky and the lake also symbolizes the interconnectedness of different realms and the shared significance of universal symbols across cultures.

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“The emperor. The tortoise. The winter. Amah. Was it somehow all sewn together? And was the Black Tortoise the stitch that needed to be pulled first before it could all unravel?”


(Chapter 59, Page 254)

The symbols of thread and embroidery appear frequently in the novel, representing the interconnectedness of events and lives. In this quote, Pinmei reflects on how the emperor, the Black Tortoise, and Amah are all bound together by fate, as if stitched into a single fabric. The idea of pulling a stitch to unravel the entire situation underscores the complexity of the characters’ struggles, suggesting that a single action or revelation could dismantle the emperor’s control. The embroidery motif highlights how stories and destinies are intricately woven, with each thread contributing to the larger narrative.

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“My friend, […] perhaps that is not a thing to hope for. You lived on the mountain because you wished your granddaughter to be safe. But even on the mountain, danger came. For, truly, the safest place in the world is this prison cell.”


(Chapter 61, Page 261)

The stonecutter’s words challenge Amah’s belief that absolute safety can be achieved through isolation. By highlighting that danger still found its way into the supposed safety of the mountain, he suggests that the desire for complete protection may be misguided, illustrating how perception shapes reality. The paradox of the prison cell being the “safest” place underscores the futility of seeking total security through confinement or control. This insight forces Amah to confront the limitations of her protective instincts and the reality that some risks are unavoidable regardless of one’s efforts to shield loved ones.

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“Remember, you can always trust Yishan, Amah had said […] She looked at Yishan and saw the boy who had pulled her out of a fiery hut and away from the hands of a cruel soldier. No matter what, he was her true friend. She let out a slow breath and nodded. He could keep his secrets if he wanted.”


(Chapter 65, Page 281)

Pinmei’s realization that Yishan can keep his secrets if he wants marks a crucial shift in her understanding and acceptance of their relationship. Despite her frustration over his secrecy, she acknowledges the depth of their bond and his crucial role in her life, recalling his past acts of bravery and kindness. This moment reflects her growing maturity and ability to balance trust with personal boundaries, allowing her to maintain her friendship with Yishan while coming to terms with his complexity and imperfections.

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“‘He killed the snake and the poison-feather bird!’” the emperor said. ‘His deeds were great! He was already a great hero!’ ‘His deeds were great,’ Amah said. ‘But, no, he was not a hero. Not then.’”


(Chapter 66, Page 287)

This argument between Amah and the Tiger Emperor illustrates the theme of how Perception Shapes Reality. While the Emperor views Haiyi’s actions as heroic based on his apparent greatness, Amah challenges this perception by asserting that true heroism extends beyond mere deeds. Her perspective emphasizes that heroism is not solely defined by actions but by deeper qualities and intentions, suggesting that the reality of one’s character and deeds may be more complex than it appears at first glance. This argument underscores how differing viewpoints can alter the interpretation of an individual’s true nature.

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“The Iron Rod can shrink to the size of a needle, the Sea King had said. I gave her that needle from the treasury, Joy to the Heart had said. I sewed him a dragon shirt to protect him, even leaving in my needle, said Lady Meng. The Tiger King held the piece of shirt in his hands, the king of the City of Bright Moonlight said, and then became invincible. Pinmei stared at the needle. Could it? Could it be? It had to be!”


(Chapter 74, Page 317)

At the novel’s climax, Pinmei realizes the needle’s significance, symbolizing her understanding of the intricate connections between the story’s various elements. What once seemed insignificant reveals its profound importance as part of the Iron Rod’s transformative power. This moment highlights how the story’s symbols, characters, and objects interweave, illustrating the theme of interconnectedness and the hidden layers of meaning that shape the characters’ realities. Pinmei’s epiphany shows that seemingly minor details can unlock larger truths and offer a deeper understanding of the narrative.

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“‘The emperor was always trying to steal immortality. He never understood immortality is a gift that has to be given. A gift you will give him, even though he does not deserve it.’ ‘Me?’ Pinmei said. ‘I will give him immortality?’ ‘Yes, you, my friend I will never forget,’ Yishan said, and his wrinkled hands grasped hers. ‘And that is truly the only immortality that matters.’”


(Chapter 74, Page 317)

In Yishan’s final conversation with Pinmei, he reveals that true immortality comes not from theft or force but from the gift of being remembered through stories and acts of kindness. By reluctantly granting the Tiger Emperor immortality through her stories, Pinmei embodies the idea that stories and memories—rather than physical power or eternal life—constitute the true legacies that endure. Yishan’s recognition of Pinmei’s role in this cycle of remembrance underscores the novel’s belief in the transformative power of narrative and human connection, illustrating how the impact of our stories can create a lasting presence in the world.

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