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58 pages 1 hour read

Lily King

Writers and Lovers

Fiction | Novel | Adult | Published in 2020

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Chapters 6-13Chapter Summaries & Analyses

Chapter 6 Summary

Casey serves lunch to two internists from Massachusetts General Hospital. Casey waits until their last coffees to summon the courage to ask them about her mother. She tells them the story of her mother’s death: Her mother was 58 years old and in good health, with only a cold before she boarded two planes to Chile. She traveled around with her friends then simply died. Although there was no heart attack, the official death certificate reads “cardiac arrest.” Casey can see how uncomfortable the doctors are, but she desperately wants answers. The doctors tell her that without her mother’s medical chart they can’t tell her, but that their best guess is that an embolism was the cause of death. Casey thinks about Janet, her mother’s friend who was with her the day she died, and about her mother’s suitcase which was returned to her and Caleb. Neither provided any answers.

Chapter 7 Summary

Casey faces writer’s block again. She tries to motivate her mind but can’t find the purpose in her novel she’s been writing the last six years. To her, the book is 206 pages of nothing she finds meaningful. Casey tries to escape her feelings of dread by focusing on the happy anticipation she feels for her date with Silas instead.

At the restaurant, Casey works with one of her favorite fellow-servers, Harry. Working with Harry is fun; they smoke, gossip, laugh, and eat. Their manager Marcus always swears not to put them on the same shift again. The shifts with Harry help distract Casey from her sadness, but later the same night she receives a message from Silas who is leaving town for an undisclosed period of time and must cancel their date.

Chapter 8 Summary

Muriel encourages Casey not to write Silas off, then throws a small dinner party so Casey’s Friday night doesn’t go to waste. Muriel’s friends are an assortment of published writers, some more successful and interesting than others. Casey knows many details about Muriel’s friends, since writers are so expressive in their storytelling. An old friend of Muriel’s named George asks Casey about her novel set in Cuba. She tells him that her mother lived in Cuba as a girl, though both her parents were American. In the novel, Muriel’s mother must choose between love, revolution, or a return to the United States. Casey tells George that John Updike was in her restaurant the other week, where he told a fan that he wrote The Centaur because he didn’t have any other ideas, a refrain that Casey relates to with her novel. George tells Casey that he’s been writing one story for three years and only has 11 and a half pages. He tries to ask Casey out, but she’s too worried that his bad writing luck will rub off on her.

Chapter 9 Summary

Wedding season begins at the restaurant. All the wedding and reception preparation reminds Casey of her parents’ story and why marriage doesn’t seem appealing to her.

Casey’s mother and father met on a golf course, and when they married they had dreams of traveling and revolution. Instead, Casey’s father found a job teaching golf at a high school in Boston and Casey’s mother found her journey going to church. At the church, Casey’s mother met a cantor named Javier, with whom she began an affair. When Javier was diagnosed with leukemia, Casey’s mother left the family to stay in Phoenix with Javier for a year and a half before his death.

Casey’s friends are also getting married in seemingly rapid succession. Her old middle school friend Tara calls Casey about her upcoming wedding in Italy. When Casey tells her she won’t be able to make it because it’s too expensive, Tara and Casey argue about adulthood, financial responsibilities, and social obligations. Casey watches herself losing one friend after another but can’t get herself out of her deep hole of debt.

Casey arrives at Iris to start her next shift, and she comes across the staff huddled around a newspaper. Princess Diana, an icon of Casey’s childhood, just died in a car accident.

Chapter 10 Summary

Casey recalls living with her father and his girlfriend Ann when her mother was in Phoenix with Javier. At the time, Caleb was away at college. Casey remembers feeling scared but not altogether unhappy. She began writing fiction when her mother left, a fact Casey later wonders might be connected to a peer’s psych test that implied Casey has schizophrenia. Although Casey clearly doesn’t suffer from the illness, Casey realizes other idiosyncrasies about her behavior, especially those relating to her mother. When Casey’s mother was away, Casey would rearrange small messes in her room, believing somehow that organized spaces would bring her mother back. Now that her mother is forever gone, Casey finds herself still organizing and seeking some semblance of control.

Chapter 11 Summary

Adam brings Casey her mail and comments on how free her life is without belongings and big-time job responsibilities. Adam asks her why she has student loans, believing that she went to Duke University on a golf scholarship. Casey tells him she quit golf, even though she was ranked first or second in the country at age 14. Her mail includes a postcard from Crested Butte with a message from Silas apologizing for their missed date. Casey throws it away along with her past-due notices.

Chapter 12 Summary

Later that week, Casey researches Cuba in the public library but ends up reading about writers and their dead mothers. She learns about George Eliot’s partnership with her father after her mother’s passing; D.H. Lawrence’s loving relationship with his mother that ends in him killing her to rid her of pain; Edith Wharton’s discovery of herself as an author after her mother dies; Marcel Proust’s imaginary conversations with his dead mother which led to publications; and Virginia Woolf’s first mental breakdown after kissing her mother, who had been dead for several days.

Chapter 13 Summary

Casey is at work serving her table’s plates when the Kroks, a university a capella group, begin their performances, entertaining the diners and annoying the servers. Despite her typical annoyance with the Kroks, their last song stays with Casey and taps into her emotions. On her bike ride back home, Casey notices the influx of students returning to their universities. She stops to observe the geese fly and swim, thinking again about her mother. Once, her mother told Casey that she’s a good singer; Casey sings to the geese, trying desperately to sing to her mother. 

Chapters 6-13 Analysis

Chapters 6-13 reveal more intimate layers of Casey’s sadness. She sees signs of her mother everywhere, in part because she is clearly seeking them out. Songs, weddings, geese, and even the death of Princess Diana all act as symbols on Casey’s psyche. These connections to her mother are Casey’s projections, as she desperately looks for her mother in the world around her. Her need for her mother is compounded by her loneliness. Casey is different than most of her peers; she is single, poor, an artist, and caught up in her grief. By paralleling the loss of Casey’s mother with the narrative of her steady stream of separated friends and lovers, King emphasizes that Casey’s grief is aggravated because she has so few people to love, connect with, and rely on.

This is highlighted when King articulates Casey’s need for control. Casey reorganizes her home, even though she doesn’t have enough belongings to have clutter. She thinks about the time when she was worried she might have schizophrenia, even though there was no evidence in her behavior for this illness. Casey’s character quirks are a direct result of the void she feels when her mother is not with her. These chapters introduce a new layer to her relationship with her mother—the affair that brought her mother to Phoenix for a year and a half, leaving Casey alone with her father and his girlfriend. Casey’s organization compulsion begins with this first abandonment and continues in her adult life when her mother dies. Thus, King emphasizes the parallel between Casey’s adolescence and her adulthood, highlighting Casey’s shock at her age and place in life. At 30, Casey feels no further developed than age 16, emphasizing the potential for a foreshadowed bildungsroman as well as Casey’s current paralysis in her creative, financial, and social life. King juxtaposes Casey’s adult life with that of characters such as Tara and Adam, people in her periphery who pointedly represent the difference between Casey and her peers. Tara judges Casey for not growing up, and Adam condescends to Casey’s illusion of freedom and lack of responsibilities. King does not use these juxtapositions to criticize Casey. Instead, King invites the reader to consider the different ways people can grow and experience the world, and at the heart of Writers & Lovers  is the celebration of a life lived for art.

Casey is the archetype of the struggling artist: poor, stressed, lonely, a little sad, and hopelessly devoted to her relationship with writing. Casey’s identity as a writer is the beating heart of each chapter. She is either worried about time—both the time she wastes not writing and the time left to write—or more specifically about her own writing and the writing of others. This informs her relationships with other people and the world around her. She cannot understand her friends who live classically safe lives, but King ensures that her readers realize that Casey is misunderstood. Her incessant consideration of her writing is so prevalent that she decides whom to date and befriend based on how successful that writer is with their time, even though she herself is in a deep creative rut. It should be noted that Casey’s book project is inspired by her mother, creating yet another wall between her need for creative expression and her ability to follow through on that need. Even Casey’s employment as a server is personified as a relationship that impedes her freedom to write. In chapter 9, King finally names the restaurant Iris, thereby solidifying the building and environment as a type of character Casey must grapple with.

In chapters 12 and 13, King explores the core of Casey’s grief. The final loss of her mother brings with it the irredeemable loss of a support system that provides easy, unconditional love. Casey’s mother was a witness to her life, a constant cheerleader who could make Casey believe in herself. Without her mother, Casey is forced to take a hard look at the people around her, and in so doing, Casey discovers that there is no one who can love her the way her mother did. Despite this reality—or because of it—Casey searches for her mother in those symbols and events in which she projects her memories of her lost parent. The poignant moment when Casey sings to the geese makes Casey feel that her mother is still with her. King implies that if Casey can apply these memories to her writing, Casey could find peace with her creative process and her life.

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